for
Velma Biddle
Beloved colleague
1909
--2013
Cans’t work i’ th’ earth so fast? O
worthy Pioner?
Hamlet
Back in the Golden Age, the shepherd Strephon lay on a
sun-drenched bank of flowers and, with his oaten pipe under a cloudless sky,
sang ditties of love to his beloved Phyliss. In that perfected pastoral time,
all creation lay before him, an immediate treasure of experience, like gold and
silver and precious gems, all round the earth’s exquisite, unchanging shore.
And then one day, perhaps a cloudy day, Strephon spied
Silvia tending her flock and his ditties were never again exactly what they
were wont to be when they were in adoration of Phyliss alone. That “Silvia
woman” troubled him-- deeply.
Who
is Silvia? what is she,
That all our swains commend her?
The Two Gentlemen of Verona
Worthies, away! The scene begins to cloud.
Loves’s Labour’s Lost
A certain ambiguity entered his music. One could no
longer be sure what it meant. What was Strephon trying to say…?
The “true meanings” of things that used to lie around
at lovers’ feet, free and easy, like gold and silver in the sunlight, were
suddenly there no longer. The once beautiful earth of thought now was veiled,
darkened, and obscure.
Those who read what they could find and wrote about it
began to notice that Strephon’s simple ditties were no longer simple and had
become songs of guarded intent.
Now there were secrets that must be dug into: meaning had to be dug up out of
mystery, like gold from a mine..
The mining of meaning was at first easy enough, scratching only a bit under
the appearances of things. But the scratching soon became a pit, and the pit, a
shaft down into the dark and forbidding unknown--down and farther down to
discover veins, lodes of ore, ores
of new knowledge, high-grades of experience and feeling.
Tunnels and stopes, went off in all
directions from that ever-deepening shaft, probing into galleries of new
understanding-- or sometimes into the incomprehensible.
Each generation of miners, reading and writing for
their meager living, was to go down as far as life and experience would allow,
all the time inventing new terminologies to meet and describe what was
endlessly new and wonderful-- and often frightening. Generation after generation of probing miners, reading and
writing, stopped off in the shaft at the level where each could find work.
New generations dug on, down deeper, and
discovered what those above could not have imagined or experienced. Their
discoveries were not better or richer, nor did they improve on what lay
well-mined above, but they were historically new and liberating.
At the surface, in a shack over the open shaft, there
reigned another and quite different figure, the hoist-man. Like a troll, he winched an ore-bucket up and down with the miners and their ores-- or
readers and writers-- who work the mine and must at times come up to take the
air of their origins and re-visit the beginnings of things,
By yanking on that rope, in a common code, these
scholars of the earth’s experience communicated with the mysterious master of
the winch above. They must believe in him, that he will always be there, ready
at the winch of human culture.
And so, to stress this metaphor with one more yank, I
shall say that I also am down there in the shaft, but only a little way, as in
a limbo, comfortable, at rest, thinking my old thoughts, trying to read some of
the new stuff, messing with metaphors like this, and hoping for a pull on the
rope from below that will keep me in touch with what’s going on down there
where smart young people are discovering all kinds of stuff and changing
things.
But I worry: will the hoist-man be there for me
when I need a lift?
~~~~
1 comment:
This post, a fitting start to the new year.
You're doing just fine in this mine of mine.
Yank.
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