MY GIFTED EARS
I have a gift. It has been given me to be able
to wiggle my ears. I can wiggle them in concert or one at a time, and to nearly
any beat! I have tried to be
modest about this ability.
But, sometimes, when I am alone, it gives me
considerable pleasure to use my ears to beat out that great old hymn of empire,
Rule Britannia. Sometimes I find
myself “playing” variations on it.
But there are other significant uses for wiggling
ears. Occasionally, I would get
them moving up down and crosswise while advancing a particularly pithy idea in
a classroom lecture. The students who were paying attention to what I was
saying did not notice my ears. The others, desperate to grasp at any possible
relief from their boredom, would usually give way to giggles.
Or, an overwrought student, baring his soul over some
crisis or other, could be restored to her felicity by noticing, through her
tears, that my ears were going like sixty.
They really can go!
Which reminds me, about playing a tune: I am able to
play the kazoo. My trombone kazoo on the ledge above this Mac is a treasure. I
should tell you that I am self-taught on this wonderful instrument and learned
its rudiments as a little boy by singing through a lilac leaf. Some there are
who imitate the kazoo by holding a piece of cellophane over a comb and playing
away. Those who play the swinette, do so by holding that comb tight over a
pig’s ass and singing hard.
I want you to know, too, that I am most likely the
only one you know who has played the adagio, third movement of Mozart’s G-minor
quintet in public on the kazoo. As
I recall, that particular public
was too stunned to respond.
I played in earnest and reverentially, having been
taught as a freshman in college that this Mozart quintet was the greatest of
all music.
Today, I see no reason to think otherwise and hope
that my rendition on the kazoo would have given Mozart a moment of glee in the
midst of his heart- break.
But, I
must confess that, try as I will, I cannot move my scalp.
Beginners, uncertain of their
musical prowess, or those who may want to improve their embouchure, may want to
consult the definitive, The Complete HOW TO KAZOO, by Barbara
Stewart.